Most Popular Gadget Reviews

Popular Gadget | Olympus 262921 E-PL2 14-42mm Digital Camera | The PEN E-PL2 continues the PEN family’s legacy of a small, light and simple design, intuitive interface and DSLR image quality and expands your creative potential with new lens technology, Live Guide, new in-camera creative features, new auxiliary lenses, a new Close-Up Spotlight accessory (MAL-1) for macro photography and the new Olympus PENPAL Bluetooth accessory. And the newly designed E-PL2’s ergonomic body makes capturing amazing still images and HD video more fun than ever before.

         

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Popular Gadget | Panasonic Lumix DMC-G1 12.1MP Digital Camera | With the G1, Panasonic has developed an entirely new-concept digital camera that takes even greater advantage of the compactness and light weight inherent in the Four Thirds System Standard. By increasing the number of electrical contacts between camera body and lens, Panasonic has also increased camera expandability and maximized the future potential of the G1, including compatibility with future features. In addition, the versatile G1 accepts not only Micro Four Thirds System interchangeable lenses, but also conventional Four Thirds System lenses (when an optional adapter is mounted). This means that users can continue to use Four Thirds lenses they already own.

        

The G1 is the world's first camera to employ the new Micro Four Thirds System standard. Together with an innovative mirror-less structure that also dramatically downsizes the camera body, the LUMIX G Micro System achieves a dramatic portability and ease of use by an adoption of electronic Full-time Live View Finder instead of conventional optical viewfinder. Despite the G1's ultra-compact design, it comes fully equipped with features that assure outstanding ease of use, made possible by the contrast AF system. The G1 also boasts iA (Intelligent Auto) mode, a feature that took the world by storm in Lumix digital compact cameras. iA mode brings together a full range of functions - led by AF Tracking , Face Detection, Intelligent ISO Control and Intelligent Exposure - that together let users take strikingly beautiful photos with maximum ease every time they shoot. The G1 breaks new ground in styling too, overturning SLR camera conventions by giving users a variety of body colors to choose from. For people who have been hesitant about moving up to an SLR camera, the G1 is a perfect fit. It is a small, sophisticated, easy-to-use camera that will greatly expand any user's photographic capabilities.

The G1's Live MOS sensor gives users the benefits of Full-time Live View both when viewing the Free-Angle LCD and when looking through the viewfinder. Other new conveniences made possible by the contrast AF include 1-area-focusing, AF Tracking, and a preview functions that show the photographer how changing the shutter speed (and other settings) will affect the photograph. The large 3.0-inch free-angle LCD, with its 100 percent field of view and sharp 460,000-dot resolution, lets the photographer check even fine details when composing an image or viewing a shot just taken.

Behind the G1's exceptional image quality is a 4/3-type 12.1-megapixel Live MOS sensor that boasts a wide dynamic range and low power consumption, plus Panasonic's new Venus Engine HD imaging processor, with its superb noise reduction performance and expandability represented by HDMI output capability. Because dust entering the body is a concern with all interchangeable lens cameras, Panasonic equipped the G1 with a Supersonic Wave Filter as part of a Dust Reduction System designed to prevent dust and other foreign matter from adhering to the image sensor.

In addition to accepting Micro Four Thirds lenses, the G1 can be fitted with a mount adapter that allows the use of standard Four Thirds lenses. This greatly expands the assortment of lenses available to users. They can choose lenses from a variety of manufacturers and in a variety of combinations, for virtually unlimited photographic capabilities. A wide range of special accessories is available too. The G1 also is equipped with a mini HDMI output terminal for easy connection with other AV devices. With features like these, the G1 gives users a host of photographic and entertainment possibilities to explore.

The stylish Lumix DMC-G1 is an entirely new kind of digital camera with an unprecedented feature set. Especially for people who have never before used an interchangeable lens camera, and for those who have tried one but didn't find it comfortable, the easy-to-use G1 can open the door to a world of fun, beauty and unlimited creative possibilities.

Panasonic Lumix DMC-G1 Highlights

With the G1, Panasonic introduces an innovative mirror-less structure that dramatically downsizes the camera body. The G1 is far more compact than conventional SLR camera on the market, thanks in large part to the Micro Four Thirds System, a new standard for interchangeable lens cameras. This new system has made it possible to reduce the flange back distance (between the mount and the image sensor) to approx. 20 mm--half the 40 mm specified in the Four Thirds System. The outside diameter of the mount is also reduced, by about 6 mm.

The Micro Four Thirds System makes it possible to downsize not only the camera body, but the lenses too--particularly wide-angle lenses and high-power zoom lenses--while maintaining the superior image quality characteristic of the 4/3 image sensor. The G1's ground-breaking structural design forever dispels the notion that an interchangeable lens camera has to be big and heavy--a drawback that's deterred many people from switching to an digital SLR. Even with its generous 3.0-inch LCD, the G1 is extremely compact--and there is absolutely no compromise in function or performance.

Another attractive feature that separates the G1 from conventional digital SLR cameras is the choice of body colors. While traditionalists can choose the standard black body, others will enjoy the appealing blue and red colors available. With its exceptional mobility and features, the G1 offers a new style of photography; with its design and color selection, it offers a new sense of camera style.

With the G1 users enjoy the advantages of Full-time Live View not only when viewing the LCD, but when using the electronic viewfinder too. The G1's viewfinder system retains the outstanding viewability of an optical viewfinder and can also display information about camera settings that the user can see without taking his or her eye from the subject. This is one of the ways Full-time Live View uses digital technology to give the photographer useful new features and functions. In addition to a mirror-less structure, the G1 features a high-resolution 1,440,000-dot equivalent Live View Finder.

A clever built-in eye sensor automatically switches on the viewfinder when the user looks into it, then switches it off and turns on the 3.0-inch high-resolution 460,000-dot LCD (which boasts a wide viewing angle) when the user looks away from the viewfinder. The 60-frames-per-second Live View is made possible by the Live MOS sensor, which takes signals directly from the image sensor and sends them continuously to the LCD, in real time. You can use either auto focus or manual focus while using the Full-time Live View.

Both the Live View Finder and LCD provide a 100 percent field of view. This allows the user, when composing a shot, to check the framing accurately from corner to corner.

The G1 introduces a new Contrast AF function that is not only accurate and easy to use, but also very fast. Users can choose from a wide range of AF modes, including multiple-area AF with up to 23 focus areas, 1-area AF with a selectable focus area, Face Detection, and AF Tracking. In the 1-area AF mode, the AF frame size can be changed by simply turning a dial. The G1 also has a Quick AF function that begins focusing as soon as the user aims the camera--no waiting for him or her to press the shutter button halfway. This provides a quicker focusing that can help capture the subject before the crucial moment passes. Continuous AF keeps the subject in focus at all times. With the G1's many auto focus modes, there's an option that's just right for any shooting situation.

A large, clear, easy-to-see LCD, that rotates 180 degrees horizontally and 270 degrees vertically is upgraded both in size and resolution to be 3.0-inch with 460,000-dot high resolution to offer even more comfortable view for both monitoring when shooting and for playing back the results. Extraordinary 3:2 aspect of the LCD on DMC-G1 is familiar to those who are used to analog film cameras. The G1 is designed for easy viewing, no matter where your photographic pursuits take you. When the lighting around you changes, the LCD changes too. The Auto Power LCD function automatically boosts brightness by as much as 40 percent, depending on the shooting condition. The LCD monitor remains easy to see at all times. This helps make framing a shot with Full-time Live View even easier.

The DMC-G1's Live View Finder has the large 1.4x (0.7x on 35mm equiv.) magnification and the 100-percent field of view as the optical viewfinders on high-end digital SLR cameras. This, plus the 1,440,000-dot equivalent resolution, makes it easy to shoot the exact image the camera sees. Surprisingly, when you look into the viewfinder, a sensor automatically turns the Live View Finder on and the LCD off. You enjoy smoother, easier shooting without having to switch the setting of display.

In addition, customize the camera to fit your shooting preference by changing the display style or switching to a full-screen display. The user enjoys a seamless 60fps Live View both on the LCD and LVF. The G1's Live View Finder, which is based on a field sequential system that uses RGB 3-independent sequential illumination to produce 180 fps for each of the three colors, gives the user a clear, natural and comfortable view when framing a shot. The LCD can swivel 180 degrees horizontally and 270 degrees vertically, giving the user the flexibility to take low-angle and high-angle shots easily and comfortably. The DMC-G1 also features the Quick Menu, so you can make a variety of settings without taking your eye from the Live View Finder.

When you don't know which mode will give you the best shooting results, or when a sudden photo opportunity pops up and you don't have time to make any settings, simply choose iA (Intelligent Auto) mode and let the camera do it all for you. This advanced mode includes MEGA O.I.S. to detect hand-shake, Intelligent ISO Control to detect subject movement, Face Detection to detect faces in the frame, Intelligent Scene Selector to detect scene conditions, Light Detection to detect the brightness level, and AF Tracking to continually track a moving subject and keep it in focus. These six functions work automatically and simultaneously in iA Mode to optimize your settings, making it easier than ever to take beautiful photos every time.

Shake Detection--MEGA O.I.S.(Optical Image Stabilizer) MEGA O.I.S., implemented in the lens, compensates for the blurring caused by hand-shake. Even slight hand-shake movement is accurately detected by a sampling frequency of 4,000 times per second, and compensated to produce sharp, clear images. It also works for zoom shots and macro shots, which are especially susceptible to hand-shake, and lets you shoot in dimly lit rooms or evening illumination, without a flash, to preserve the mood.

Motion Detection--Intelligent ISO Control The Intelligent ISO Control function detects subject movement and automatically adjusts the ISO setting and shutter speed to best suit the movement and light conditions. When it detects subject motion, it automatically raises the ISO setting and increases the shutter speed to prevent motion blur. On the other hand, when the subject is still and no movement is detected, it takes beautifully natural photos with a low ISO setting. Intelligent ISO Control gives you stunning images with ease because there is no need for complicated settings.

Light Detection--Intelligent Exposure The Intelligent Exposure function increases the exposure only in under-exposed areas by detecting the brightness level part-by-part in the picture. If the background includes the sky, which tends to be easily washed out, the camera automatically adjusts the aperture and shutter speed to keep the setting slightly under-exposed to prevent wash-out while brightening the darkened area by increasing the ISO only in that area. If the background of an indoor portrait receives insufficient lighting from a flash and becomes dark, the ISO sensitivity is raised in only the low-lit area to make it brighter without causing graininess in the subject's face. When Intelligent Exposure is turned on, the icon changes from white to yellow. In addition, you can adjust the effect in three levels in normal shooting mode: high, normal, and low.

Face Detection--Face Detection AF/AE The Face Detection function detects faces and automatically optimizes the focus and exposure settings. It prevents the blurry faces that happen when the camera focuses on something in front of or behind the subject, and keeps faces from appearing dark when shooting indoors or against the light source. It detects up to 15 faces at a time, making it extremely convenient for group photos. Once the camera detects a face, Face Tracking follows it even when the subject moves around. This makes it easy to capture the person's face quickly if he or she is moving. It is also equipped with Digital Red-eye Correction. The camera takes care of the red-eye effect that often happens when shooting with a flash, to ensure attractive facial expression always.

Scene Detection - Intelligent Scene Selector When the camera's in iA (Intelligent Auto) Mode, the Intelligent Scene Selector automatically sets the Scene Mode to either Scenery, Portrait, Close-up, Night Portrait or Night Scenery. The camera judges it from the various detection results such as focusing distance, inclusion of human face and brightness level of the circumstance. You are free from annoying settings every time scene changes when taking pictures with these most frequently used Scene Modes to get beautiful results even before you know it.

Subject Detection--AF Tracking Simply focus on your subject, then press the shutter button to activate AF Tracking. Even when you remove your finger from the shutter button, the camera continues to automatically keep your moving subject in focus. This keeps the focus sharp and blur-free when shooting active children or pets, as well as when capturing sports scenes or subjects in a moving object. It minimizes the shutter time lag so you won't miss those spur-of-the-moment shots, and helps to give you truly beautiful photos always.

The user can activate all of these useful, convenient shooting-assist functions by simply selecting iA mode. This makes the DMC-G1 the ultimate, super-versatile automatic camera for capturing clear, beautiful, mistake-free photos with ease despite its high quality image rendering capability as a system camera.

My Color Mode is a special option that gives free rein to the user's creativity. In My Color mode you can freely adjust the color, brightness and saturation parameters, while checking the Full-time Live View image to see how those adjustments affect the picture. This makes it easier and more fun to create interesting, expressive images. Adjust the settings that best suit the shooting conditions and your expressive intent, and then enjoy your own photography.

Furthermore, the DMC-G1 provides options of picture taste with the function called Film Mode. Each analog film has its characteristics such as with color, contrast, gradation and which affects on the outcome of the picture, in other words, it is one of the ways of expression. With the DMC-G1, the Film Mode allows you to choose the one that takes the best advantage of the scene or the subject you take out of a total of nine film modes including Standard, Dynamic, Nature, Smooth, Nostalgic, Vibrant, Standard B/W, Dynamic B/W and Smooth B/W, with capability of fine adjustment of contrast, sharpness, saturation and noise reduction. Users can also shoot the same scene in 3 different films using the new Multi Film mode. All these settings can be confirmed before you take the picture and the result is always as you intended.

The Full-time Live View lets the users check the outcome image in advance after adjusting the shutter speed, aperture or white balance. The white balance can be adjusted in the area of two-axis of coordinates precisely. And also the white balance bracket in 3 pictures either along with A(amber)-B(Blue) axis or G(Green)-M(Magenta) axis is now available for G1.

High Image Quality as an Interchangeable Lens System Camera The 4/3-type 12.1-megapixel Live MOS sensor featured in the DMC-G1 offers the best of both worlds--the superior image quality of a CCD sensor, and the lower power consumption of a CMOS sensor. New technology that makes it possible to read 4 channels of data simultaneously also helps the G1 deliver 60 frames-per-second Full-time Live View images, while faithfully reproducing high-resolution images with fine detail and rich gradation.

For the image processing LSI, the new Venus Engine HD features exceptionally advanced signal processing capabilities. This sophisticated LSI separates chromatic noise from luminance noise and applies the optimal noise reduction to each, so you capture clear and beautiful images even when shooting at high ISO sensitivity levels. The Venus Engine HD also provides independent gradation control for each of the R, G and B colors, so even delicate color nuances are reproduced faithfully. Linking smoothly with the Live MOS sensor, the Venus Engine HD records stunning high-resolution 12-megapixel images with exceptional accuracy. Signals containing a large amount of image data are sent from the Live MOS sensor to the high-resolution Live View Finder, resulting in the 1.44 million-dot equivalent sharp clear images at 60 fps. The Venus Engine HD also supports an extensive range of functions, including HDMI output.

If dust or other foreign matter gets inside the camera when you're changing lenses, it could cling to the image sensor and show up as a spot in your photos. The Dust Reduction System in the LUMIX DMC-G1 helps eliminate this possibility by placing a supersonic wave filter in front of the Live MOS sensor. Vibrating around 50,000 times per second, the filter repels dust and other particles.

The DMC-G1 and LUMIX G Micro System is compatible with any interchangeable lens that complies with the Four Thirds Standard. This gives you access to the entire range of Four Thirds lenses. And a stream of new Micro Four Thirds lenses will be announced in the future, giving you a large, diverse line of high-performance lenses to add to your photographic toolbox. With the LUMIX G Micro System and the growing assortment of lenses becoming available, your expressive possibilities are unlimited. The DMC-G1 is a system camera with a wide variety of options to choose from to match your shooting situations and style.

The G1 has an HDMI output terminal. When the G1 is connected to an HDMI-compatible TV via an HDMI mini cable (purchased separately), the user can easily enjoy a slideshow of photos taken with the G1. When the G1 is connected to a VIERA TV that has VIERA Link capability, the TV's remote control unit can be used to run the slideshow.

When using the G1 in manual focus mode, the frame will automatically enlarge by around 5x or 10x (magnification can be altered by the front dial) for easy viewing in the Live View Finder or high-resolution LCD with Manual Assist function. This lets the user frame the shot with greater ease and accuracy. The movable guide lines make it easy to check the horizontal and vertical positioning of the subject and scene, no matter how the shot is being composed.

The Quick Menu has further evolved as an interface in the G1. The newly enhanced menu screen makes it easier to use the G1's advanced functions, while simply rotating the turn-and-push device (front dial) lets the user select and enter settings with a single finger, without having to look away from the viewfinder. Most settings can be made in this way. The new My Menu tab automatically stores the five most recently used menu items, for quick, easy retrieval. The custom setting function can also be used to register a shortcut for a frequently used function; the function can then be activated by pressing the Down button of the cursor key. The color of the LCD information display screen can be changed in three colors. These features make the G1 easier to operate while also giving the user a way to customize his or her camera.

About the Lumix G Micro System

Panasonic is pleased to announce a brand-new digital interchangeable lens camera system--the LUMIX G Micro System. It is based on the new Micro Four Thirds System standard that greatly reduces camera size and weight to further enhance the inherent advantages of the original Four Thirds System standard for digital interchangeable lens cameras.

The world market for digital interchangeable lens cameras continues to grow at a steady pace, yet there is a widespread notion that digital SLR cameras are large, heavy and hard to use resulting in a preference for compact cameras. Panasonic has now made it possible to develop digital interchangeable lens camera that comply with the new Micro Four Thirds System standard and feature greater compactness and lighter weight, based on a concept of further extending the possibilities of the Four Thirds System standard. The new Micro Four Thirds System products will join today's Four Thirds System products to provide customers with even higher levels of performance in a digital interchangeable lens camera.

The features that clearly set the Micro Four Thirds System standard apart from the Four Thirds System standard: approx. 50 percent shorter flange back distance (mount-to-sensor distance), approx. 6mm smaller lens mount outer diameter and electrical contacts in mount increased from 9 to 11. In essence, not only the camera unit but also the Micro Four Thirds lenses are smaller, and this is particularly true for the wide-angle and high-power zoom lenses. The number of electrical contacts between the lens and the camera body is also increased in the new Micro Four Thirds System, to allow a variety of new features and system functions in future models. The Micro Four Thirds System will also allow users to continue using their present Four Thirds System lenses on Micro Four Thirds System bodies by adding a mount adapter. Together with an innovative mirror-less structure that also dramatically downsizes the camera body, the LUMIX G Micro System achieves a dramatic portability and ease of use by an adoption of electronic Full-time Live View Finder instead of conventional optical viewfinder.

Combining superb image quality and unprecedented mobility, LUMIX G Micro System will change the way you see the world around you, and the role that photography plays in your life. Panasonic is committed to creating a new photographic culture by introducing innovative, high-performance cameras and lenses for this new generation standard.

What's in the Box

Panasonic Lumix DMC-G1 body, Lumix G Vario 14 - 45 mm F3.5 - F5.6 ASPH.Mega OIS lens, BLB13PP Lithium-Ion battery pack, DE-A49B battery charger, AC cable, Video cable, USB connection cable, Software CD, Strap, Lens hood, Lens cap, Lens rear cap, Lens storage bag, Body cap, Manuals.

Popular Gadget | Pentax K-r 12.4 MP Digital SLR Camera | The compact, lightweight Pentax K-r is easy to use with Auto Picture, Scene, and Custom Image Processing modes that take the guesswork out of shooting stunning images while still offering a high degree of manual and priority control. The K-r offers a variety of new and improved features including a fast framerate, high ISO sensitivity, responsive autofocus, an improved 12.4-megapixel low-noise sensor and widescreen HD video capture that take it a step above an entry-level DSLR camera. 

         

Key features of the Pentax K-r that are new or have been improved upon from the most recent entry to mid-level Pentax DSLR models include:

Other important features of the new K-r models include: widescreen 720p HD video at 25 FPS; Pentax-original Shake Reduction mechanism for sharp, blur-free images that works with every Pentax lens ever made; Dust Removal mechanism, to shake dust off the CMOS image sensor; Highly responsive and accurate 11 point SAFOX IX autofocus system with dedicated AF assist lamp; and wide range of in-camera image processing and special effects filters.

With a highly portable, compact and lightweight body in a choice of colors, the K-r holds appeal for busy parents, family memory-keepers, travelers and anyone who reflects personal style in all their pursuits including their journey into photography or videography as a skill or hobby.

Pentax K-r Highlights

The K-r incorporates a new generation CMOS image sensor with 12 megapixels and the high-performance PRIME (Pentax Real Image Engine) II imaging engine for accurate and high-speed data processing equal to that of upper-level Pentax digital SLR models for high-quality images. The camera also offers a wide sensitivity range between ISO 200 and ISO 12800 that may be expanded from ISO 100 to ISO 25600 via a custom function.

Even with the 23.6mm x 15.8mm image sensor, the K-r features a compact, lightweight, stainless-steel chassis with in-body Shake Reduction in a space-efficient design.

The K-r's high-speed continuous shooting mode records as many as 25 images (in JPEG recording format) in a single sequence at a maximum speed of approximately six images per second (fastest of all entry-class models) for sharp, crisp images of fast-moving subjects.

The K-r's high-precision, wide-frame SAFOX IX autofocus system features 11 sensor points (with nine cross-type sensors positioned in the middle) for pinpoint focus on the subject. The K-r is also equipped with a spotbeam projector to assist the AF system in poorly lit locations. Accuracy and speed of contrast AF operation during Live View shooting is enhanced with a new-generation image sensor and drastic upgrading of AF algorithms.

The Pentax-original finder optics and the renowned Natural-Bright-Matte focusing screen ensure the K-r's viewfinder offers a bright, clear subject image at 0.85X magnification and with a 96% field of view. The viewfinder offers excellent visibility even in bright outdoor locations and provides delay-free, real-time display of the subject's image. This is helpful when shutter release timing is critical such as in sports photography. The in-focus point is indicated as a red point in the viewfinder for at-a-glance confirmation.

The K-r features a large, high-resolution color LCD monitor with approximately 921,000 dots and its wide-view design assures a clear view of the monitor image from approximately 170 degrees horizontally and vertically, making it particularly useful in low- and high-angle applications during Live View shooting.

In addition to the rechargeable lithium-ion battery, which allows the photographer to capture approximately 560 images with a single recharge,* the K-r can also be powered by four AA-size batteries using optional AA Battery Holder D-BH109.

_{* Based on the Pentax in-house testing conditions conforming to the CIPA standards, using a rechargeable D-LI109 Lithium-Ion Battery.}

The K-r features the Pentax-developed SR (Shake Reduction) mechanism, which effectively compensates the adverse effect of camera shake by up to approximately four shutter steps. This innovative mechanism extends its benefits to almost all Pentax interchangeable lenses--even those designed for film-format cameras.* The K-r produces sharp, blur-free images even under demanding conditions prone to camera shake, such as when using a telephoto lens, shooting in the dark without flash illumination, and shooting sunsets.

_{* Lenses compatible with this mechanism: Pentax K-, KA-, KAF-, KAF2- and KAF3-mount lenses; screw-mounted lenses (with an adapter); and 645- and 67-system lenses (with an adapter). Some functions may not be available with certain lenses.}

(1) Custom Image function for distinctive finishing touches The K-r features the Custom Image function to allow users to select a desired finishing touch for a particular image with a choice of nine custom image modes including Bleach Bypass, which is designed to create a dramatic visual effect used in motion pictures.

(2) Versatile Digital Filter function The K-r's Digital Filter function allows users to process recorded images in a variety of creative ways and produce highly creative visual expressions--without a computer. Users may choose from 18 filters, including a new Starburst, Sketch and Posterization and may now apply filter upon filter, one after another, to an image for more creative results.

(3) Cross Process mode with three options The K-r features the unique Cross Process mode that automatically shifts photographic parameters for each exposure to create eye-catching images with dramatic colors (as with photographs treated with the cross process* in film photography). In addition to "Random", where the results are unpredictable until the image has been processed, users now have two new options: "Preset" with three different sets of preset parameters; and "Favorite" with user-input parameters.
_{*A film development technique that uses unconventional film development to create a distinctive finish with dramatic, stylized colors.}
(4) Improved High Dynamic Range function The K-r features the High Dynamic Range function to create one composite image with an extra-wide gradation range from three images with different exposures without a computer. Users may choose from Auto, Standard and Expanded (at three levels) modes to accommodate different creative intentions.

Allows use even with handheld shooting.

The K-r is the first Pentax digital SLR camera equipped with the IrSimple high-speed infrared data transmission system, which allows users to transfer image data to IrSimple-compatible digital devices and post their K-r images on the web via a cellular phone. This also allows users to exchange image data between two K-r cameras and play a simple match game using image Exif data (such as aperture or shutter-speed values) to judge images and offer techniques and suggestions for better images.

The K-r provides a movie-recording function,* which captures beautiful, true-to-life movie clips in 16:9 high-definition TV proportions (1280 x 720 pixels) at a frame rate of 25 frames per second. This extends many benefits of high-quality SLR photography to the world of movie shooting: For example, users may reduce the depth of field to make a subject stand out, or use different interchangeable lenses to create distinctive visual effects. The K-r also assures a greater possibility of visual presentation in movies--either through the application of digital filters, such as Toy Camera and Retro, to add specific visual effects during shooting, or through the use of various movie-editing functions after shooting.

_{*When the Pentax K-r's AV output terminal is used, movie clips are output at normal resolution. The data must be transferred to a PC for the playback of movie clips at high-definition TV proportions (1280 x 720 pixels).}

Additional Features

Popular Gadget | Sony DSLRA580L 580 DSLR Camera | Don't let life pass you buy. Get the fast action that other cameras miss thanks to Sony's Quick AF Live View. Take in the landscape with 3D Sweep Panorama mode.1 See into the dark with Handheld Twilight and Multi-Frame NR modes. And preserve your memories with amazing Full HD 1080i movies. 

        

  

Technical Details

Popular Gadget | Canon Digital Rebel XT 8MP Digital SLR Camera | The Canon EOS Digital Rebel camera now has a new, faster, even smaller big brother. Sibling rivalries aside, the 8.0-megapixel Canon EOS Digital Rebel XT SLR adds resolution, speed, extra creative control, and enhanced comfort in the hand to one of the smallest and lightest digital cameras in its class. Even with its advancements in ergonomic design and technology, this easy-to-use EOS digital camera is compatible with all of Canon's EF lenses, including the EF-S lenses.

         

The EOS Digital Rebel XT camera takes its place alongside the original 6.3-megapixel EOS Digital Rebel camera that first placed an affordable, high-resolution digital SLR into the hands of Canon consumers. The EOS Digital Rebel XT model is offered in two kit configurations: with Canon's high-quality EF-S 18-55mm f3.5-f5.6 zoom lens (in matte black and in brushed silver) and as a body only (in matte black and in brushed silver).

While many of the feature advancements and innovations on the new EOS Digital Rebel XT digital camera are inherited from Canon's EOS 20D

"prosumer" SLR, the two cameras' most striking technological similarities are their use of Canon's newly developed large-single-plate, high-sensitivity, high-resolution color CMOS imaging sensor technology. While the size of the APS-C CMOS sensor on the EOS Digital Rebel XT SLR is fractionally smaller than the APS-C CMOS sensor on the EOS 20D camera (22.2 x 14.8 millimeters versus 22.5 x 15.0 millimeters, respectively) accounting in part for the cameras' 8.0- vs. 8.2-megapixel resolution rating, individual pixel dimensions are identical, and they both provide the same effective angle of view, equivalent to 1.6x the normal EF lens focal length.

There are, of course, some very real differences between the EOS Digital Rebel XT digital camera and the more advanced EOS 20D. While the 20D SLR includes performance features such as faster continuous shooting speed (5 frames per second [fps] vs. 3 fps) with larger burst capability (23 frames vs. 14 frames) and custom function settings (18 vs. 9) that more than justify its heftier price tag, this new Rebel XT model was created for those dedicated SLR users who are migrating to digital for the first time and don't wish to give up the flexibility an SLR system offers.

Utilizing the same 7-point autofocus system as the EOS Digital Rebel camera, the new EOS Digital Rebel XT SLR is capable of analyzing where a subject is--even when it is off center--and almost immediately bringing it into focus. It can also analyze subject movement and automatically select locking or tracking AF modes as needed. These features simplify the camera's operation and optimize its performance. The Digital Rebel XT allows users to select locking or tacking AF modes independently, adding a new dimension of creative control.

The new EOS Digital Rebel XT digital camera can shoot up to 14 consecutive large/fine (8.0-megapixel) JPEGs, five RAW files, or four RAW + large/fine JPEGs at a rate of up to 3 fps. The EOS Digital Rebel camera's smaller buffer permits bursts of only four large/fine (6.3-megapixel) JPEG or RAW frames at a rate of up to 2.5 fps.

While reprising the Digital Rebel SLR's ISO range of 100, 200, 400, 800, and 1600, Canon raised the Auto ISO setting on the Digital Rebel XT model to 400 help improve image quality, reduce camera shake, and brighten the scene behind the subject when taking a flash photo. The new Digital Rebel XT camera also offers 12 exposure modes that are user selectable at the turn of a conveniently placed dial. The exposure modes--Full Auto, Portrait, Landscape, Close-up, Sports, Night Portrait, Flash Off, Program AE, Shutter Speed-Priority AE, Aperture-Priority AE, Manual, and Auto Depth-of-Field AE--take into account virtually all shooting conditions and preferences.

In addition to its lossless compression 8.0-megapixel RAW image file option, the Rebel XT Digital SLR offers users the option of shooting in a range of sizes and quality JPEG settings from large (8.0-megapixel) and medium (4.15-megapixel) to small (2.0-megapixel). Within each resolution option, the user may also select quality settings: large/fine, large/normal, medium/fine, medium/normal, small/fine, and small/normal.

What's more, while the original Digital Rebel camera required dedicated software to extract embedded medium/fine resolution JPEGs from the larger, uncompressed RAW image file, the new Rebel XT model saves RAW and large/fine resolution images as separate files on the CompactFlash card. The user also has the option of selecting RAW (8.0-megapixel) files only, saving valuable space on the CF card. As with the EOS 20D, the Digital Rebel XT camera's RAW files are denoted by the CR2 extension.

Among the new features found on the EOS Digital Rebel XT camera are user-selectable metering and AF modes, flash exposure compensation control, improved E-TTL II evaluative flash metering, and, for the first time in this product category, custom function control. The Digital Rebel XT SLR even offers a monochrome mode for consumers who enjoy the subtleties and shadings that only black-and-white images offer.

The Rebel XT camera incorporates nine of the Custom Functions previously found on the EOS 20D model. Designed to fine-tune camera operation according to personal preferences, the custom functions offer users a set of programming options for the SET button/cross keys, as well as control over long exposure noise reduction, flash sync speed in AV mode, AF start from the shutter button or AE lock button, AF assist beam, mirror lockup, E-TTL II metering patterns, and shutter curtain sync.

Canon's newest and most powerful SLR imaging engine, DIGIC II, provides high precision and high speed, natural color reproduction including high saturation, bright subjects, improved auto white balance, and increased white balance correction control and white balance bracketing over the original Digital Rebel camera.

The white balance correction control is a digital color filter that works like a light-balancing filter or a color-compensating filter. Both the blue/amber bias and the magenta/green bias can be adjusted to +/- 9 levels. While the blue/amber bias adjustment is standard on the original Digital Rebel model, the Rebel XT camera's additional magenta/green bias adjustment provides increased color compensation from the earlier model.

The Rebel XT SLR's white balance bracketing mode enables the camera to automatically take three images for every shot snapped, each with a different bias setting. The user can then select the best shot and discard the other two. White balance bracketing can also be used in combination with white balance correction. The benefit of all this white balance wizardry can be found in the photographs with colors captured accurately and precisely under a wide range of conditions.

In addition to the legion of image-quality improvements, DIGIC II speeds up the camera's performance from startup, which is 10 times faster on the EOS Digital Rebel XT model (0.2 seconds) than it is on the EOS Digital Rebel with the original iteration of DIGIC (2 seconds).

Another feature improved by the presence of DIGIC II is the speed of the direct printing function, which is PictBridge compatible. DIGIC II also produces faster startup times, faster CompactFlash card writing speed, and approximately 10x faster data transfer speeds thanks to the processor's new USB 2.0 high-speed interface. As an added bonus, the DIGIC II chip is so efficient, it actually reduces the EOS Digital Rebel XT camera's power consumption (and extends battery life) by approximately 35 percent. Indeed, this new Rebel XT camera is so energy efficient, it is powered by the same lighter-weight NB-2LH battery pack used by the PowerShot S60 (as opposed to the larger BP-511A battery pack used by the original Digital Rebel model).

The new Rebel XT camera also features the next step in the evolution of evaluative, through-the-lens exposure control, E-TTL II. Though compatible with all Canon EX-series Speedlites, this smarter new E-TTL II system helps ensure that, even in situations with highly reflective subjects or backgrounds or when shooting in most other similarly difficult lighting situations, the image will be optimally exposed.

The E-TTL II system compares the ambient light with the reflected pre-flash off the subject reported in all 35 metering zones and selects the areas with a small difference to be weighted for flash exposure calculation. This system also helps eliminate or underweight areas with large differences, recognizing them as an extremely reflective object in the background or a highly reflective subject.

Both the Rebel XT Camera and lens kit and the body-only kit are shipped with three software discs, including EOS Digital Solutions Disc 10 featuring ZoomBrowser EX, ImageBrowser, and ArcSoft PhotoStudio together with other utilities; another disc containing Digital Photo Professional 1.6 for RAW file conversions; and a third disc containing PDF versions of the instruction manuals for each application.